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#26 | |
I hope your salmon sucks!
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Especially in Europe I get the impression he seems well known and remembered by casual music lovers because of "Total Eclipse of the heart". UK perhaps more Bat, AFL and Dead Ringer for Love |
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#27 | |
Super Loafer
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And I do agree with you to a point that it is the song that Meat sings that makes people take note. But it seems that no real publicity effort by Meat's label exists unless Steinman is involved. Proven track record in the eyes of the record companies when they team up. MATLAF BA BBIS are barely on the radar anymore expect to the diehard fans. Even in concert it is extremely rare to hear Meat perform one of the songs from these albums as people want to hear BAT and BAT 2 and whatever he has recently released. CHSIB HCTB HIAHB will unfortunately end up going the same way. This is too bad cause out of the six albums there are some really good songs. |
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#28 |
Guest
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Jim has had 18 number one songs, which is no small thing.
The 'who knows Jim Steinman' debate is futile because it entirely depends on your social circle. As a writer and a producer, he's definitely well known. In the eyes of the general British public? More so than most. But again, it's demographic based. Does anyone under 21 really know who he is? Probably not, unless they're rock/metal fans (and now we're into the realms of subcultures). So - futile! Meat Loaf sings great songs. Jim Steinman writes great songs. The most notable and successful (in terms of sales, chart position, and general public recognition) are always a collaboration of the two. Jim has had successes outside of his collaborations with Meat, and Meat has had successes outside of his collaborations with Jim (though maybe not to the same degree). Bottom line: let's not forget how this whole thing started. |
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#29 |
I hope your salmon sucks!
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I really can't see the last album being called Meat Loaf & Jim Steinman if the album has 7 songs by other writers. But I hope I'm proven wrong.
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#30 | |
Mega Loafer
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I think that ALL of Meat Loaf's albums should have a fair shot at getting the support from record companies regardless of who wrote the songs. After all, shouldn't it be based on merit? If they're only interested in Jim Steinman then why bother with the others at all? After all that's what 'everyone' wants isn't it? |
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#31 |
I hope your salmon sucks!
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Face it this type of music as far as the record industry goes is pretty much dead. Chrissie Hynde said it exactly that in an interview I saw this week. Why would any record company invest a lot? It's quite obvious when artists such as U2 give away complete albums that there is no more money to be made here. Use it for a catalyst to tour or for the hard core fans. Reaching new ones I think is almost impossible now. Unless you are a female singer with a big ass and that's constantly on display and sing about sex and cocaine you stand no chance anymore. Regardless of Steinman being involved surely.
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#32 |
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Ask Bono how much Apple gave him for that album, then tell me there's no money to be made from music anymore! (I do get your point though Andrew).
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#33 |
Mega Loafer
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Money that Bono will no doubt squirrel away in offshore accounts, while begging those with nothing to give generously to charity.
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#34 |
Metal Head
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if people like Guy would stop buying mutiple copies of justin bieber then recored sales would make sense :)
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#35 |
Mega Loafer
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#36 |
Spirit in the Night
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The amount wasn't disclosed, but it's rumored to be 25-30 million dollars. Reaching new people is exactly what they are hoping to do by "giving away" the album to everyone.
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#37 |
I hope your salmon sucks!
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I just read that apparently it was 100 million.
![]() To automatically install that I find completely insane and I say this as an Apple enthusiast. Quite funny reading the Tweets "How do I uninstall this virus called U2?" ![]() |
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#38 |
Mega Loafer
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I think it's great that the album was free for consumers, but it is still making the band money. That is amazing and it is the future - Money does not just have to come from existing conventional sources.
As far as being in people's libraries by default, well, perhaps they took it a little too far, and now Apple they will learn something. It's hard to tell. There's a media spin on the whole thing right now. I'd like to hear from all the young people who discovered U2 for the fist time from having it appear in their library, and it helped them through something in their life. perhaps saved a life. Food for thought.. |
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#39 |
Mega Loafer
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I don't think it should have been automatically installed like it was and I think that there are going to be a lot of people who have been annoyed by the principle of it rather than consider it to be a way of introducing them to music that they might not have considered beforehand.
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#40 |
I hope your salmon sucks!
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This talk reminds me of the free copy of HCTB at the 2010 Meat shows. Most know it's not my favourite album of his. But it was a rather superb and generous move by Meat I have to say. At least it was apt!!
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#41 |
Mega Loafer
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Didn't a large portion of them end up left on the floor?
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#42 | |
Mega Loafer
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I think people would find it harder to object to a free physical copy of an album given to them at that artist's show than they would if he'd have forced it upon all users of a particular piece of software without warning. Actually I vaguely remember reading something like that. ![]() It puzzles me a bit considering the fact that it's something that could have been sold on or given away if you didn't want it. |
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#43 | ||||
Spirit in the Night
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Lol at the U2 virus! ![]() Quote:
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#44 |
Mega Loafer
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I was at every show bar one, was in the front row, and always gather my stuff together, have a bit of a sit, and wait for the crush to leave. I don't leave until they chase me away by which time the auditorium is pretty empty. I saw NO CDs on the floor .. trust me, I'd have scarfed them up to sell for TPT if I'd seen any. So whatever the papers choose to spin, I don't believe this at all. At those arenas where there were people waiting outside when I emerged, plenty I saw were clutching their CDs.
The ticket prices were pretty much in line with the previous tour, and as always at the low end of the spectrum for artists of Meat's calibre .. but the basic unit cost at source for a CD won't be that high anyway surely. |
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#45 |
Spirit in the Night
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Right, it wouldn't be retail price- probably not more than a few dollars each.
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#46 | |
Super Loafer
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People who do buy CD's, stop it. Unless you wanna be like those lonely people who like to hold onto their 8-Track and Tape collection. |
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#47 | |
Promoted to Wario's spellchecker
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Come the day I can't buy a hard version of an album I want I'll be pissed off as there are times when it's nice to listen to something as it was meant to be heard, not compressed to hell. And I ain't lonely Last edited by Monstro; 13 Sep 2014 at 03:35. |
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#48 | |
Super Loafer
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Vinyl is different because it gives you a sound quality that you can't get anywhere else. Digital Music has come a long way. This is coming from a guy who owned around 3000 CD's before I sold them all (with a few exceptions, ML being one of them). |
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#49 | |
Spirit in the Night
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Having said that, I still do buy CD's (and a limited amount of vinyl), though not as many as I used to. I like having a physical product which is a guaranteed backup to a digital file. |
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#50 |
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Usually there's a different mastering process for vinyl over CD/digital :)
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