I'll say what I said from the very beginning: between The Dream Engine, Neverland, Bat Out of Hell 2100, and the final product, there is enough material -- both spoken and sung -- for a limited series of the kind popular on streaming platforms, one with a finite beginning, middle, and end that allows for plenty of world-building and everything ever written for it to be used, with no confusion, no compromise, and no clutter. I only wish that Jim's people had had the same kind of vision.
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