A possible reason why Readem and Weep is never played live....
 

Apparently "Also someone asked him about Read 'Em and Weep, and he said that the song was ruined for him because Barry Manilow covered it. But he did attempt to sing it, and at one point (the band did not stop playing) he turned around to Kas and said..."I don't know what to do"...missed a few lines and then continued."

weird. Guess if barry never covered it, itd be in the set?

http://www.kasiminfo.com/Tours/Meat/...rs/ST1229.html

ReadEm to me is one of the highlights from Dead Ringer.

IMO it's petty that he never really sang it live.

I'm no BM fan, but his version isn't horrible. The DR version is obviously far better even with the screwed up voice, but I can't see how 1 cover could ruin the entire song. Even if that version was more successful.

I can understand that he wants to be known the singing that song, but he has covered a handful of tracks that were far more successful than Manilows REAW and he was unlikely to top.

Yes, it is, IMO; it's the very definition of "schmaltzy". I don't generally dislike Manilow, either.

The first time I heard it, I thought, "I wonder if Steinman knows what Manilow did to his song?" :doh: (I didn't know at that time that Steinman produced it)

A) Meat did sing it live, many times during the early '80s.
B) Manilow's version is shite.
C) Meat's version isn't shite but is in dire need of remastering.
D) I think the reason it isn't played live is simply that Two Out Of Three, Heaven Can Wait and Objects get a better reaction from the audience than Read 'Em And Weep would. Meat can only fit so many songs into a show, so it's either a ballad from the album of the moment or one of those three songs.

I wonder if he will play Another Day then?
But, I do believe Read 'Em would be well received, especially if tells the audience that Barry screwed up and his version is a millions times better.

That live performance that was on youtube was amazing. I think people don't give Meat enough credit for his voice back then. To me the album where his voice sounds the least like him is "Bat" with the rumored sped up vocals probably contributing to that.

I don't envy Meat having to make a set-list. Trying to get the right mix of hits, rockers and ballads along with a couple of new songs has to be tough. If it were me feeling like I could never drop "Paradise" would drive me mad. I'd at least shorten it, a couple of shortened for broadcast performances I have seen were more entertaining for me. I know it has to be rough to get in all the songs that a lot of the audience love.

But he did lose his voice completely after Bat and the damage probably changed his voice for good ? Not necessarily for the worse as I think some of the late 80s / early 90s live performances were the best of is career...

The arrangement / production is just not at all suited to a Steinman song, the most amazing thing is however, that arrangement / production was actually by Steinman...:shock:

IMO, his voice almost sounded like that higher pitch on BOH at certain times during the 80's.

His voice was incredible during this period. It's a shame that most of what I consider to be his vocal prime was spent in relative obscurity compared to periods before and after.

Remember that the doctors considered his vocal problems to be purely psychological. The fact is that most male singers should be in their prime from ages 35-45, which Meat was. So it's good that he got over whatever it was that was ailing him.

Actually let's face it. The fact that we ever heard from him again and that he eventually made it to the top again is a testament to his incredible mental endurance.

With that said, I wish that he would get over his mental thing of BM covering REAW. Use that mental might Meat! ;)

Let's hope he never hears Todd Rundgren's version of TOOTAB. :oops:

The arrangement isn't extremely different from the DR version, just with bland vocals.

The production does suck though.

I can actually take my "fan goggles" off here and say that Meat's version is packed with emotion while Manilow's is nauseatingly bland and void of any emotion. I'm surprised Jim did not wring some emotion out him, but that version has zero feeling, just "cold".

Meat's voice at the time was good just above a whisper or full on operatic high parts the in between was sometimes difficult for him. I like the operatic voice even though he had to spend most of some songs in that range which had to be tough. I agree that from '85-'93 his voice was perfection, unfortunately until '93 he was in relative obscurity from the mainstream.

I heard that DR was recorded almost 'line by line'...

I heard this too. I think its something he's always done.

in a recent interview hes said he likes to record whole takes to keep the song real or something.

In another interview he has said take away razor blades outta studios. Cause he never in time and never in tune. He likes to record a line or little more to get the the right emotion out of a lyric cause he's a actor and not a singer. Handbasket I hear from the board sounds more live than previous. Also Bat 2 produced by Jim there was said to be a lot of vocal takes on anything for love. I hear that cause his voice sounds real strong in live shows just before and just after. Whereas '93 studio work is perfected, every 'i' and every 't.' ;)

Although I'm sure there are exceptions. :) I never once attended a studio where he works ;) But I recall a older video on a meat fan site where he has said that Forever Young was one take.

Take whatever Meat says with a grain of salt. He contradicts himself a lot.

Regardless, recording an album one line at a time is extremely inefficient. Would make any producer want to kill him...

Funnily enough, that's how 99.9% of the industry works. Haven't seen any celebrity deaths by irrate producers yet though ... :??:

I think he said he recorded 9 songs in 10 days for HIAHB.

I don't mean that he records the song in one take.

And no. You are completely wrong. 99% of albums are not recorded one line at a time. I don't know where you pulled that figure from.

Are we talking "I would do anything for love" ... stop ... break ... record ... "I would do anything for love" ... stop ... break ... record ... etc, just for farfetched example ? Is that how recordings are done today ??? ...

I'm sure it varies for every artist.